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Version 1 Version 2 Version 3The ways I've improved the tab are as follows: 1. I have the A chord in the verse as a dominant seventh chord, not a minor chord. You can hear the major tonality very distinctly, especially on the toy piano, and the flat seventh just fits right in. Not sure how three tabs made that same mistake. 2. I've added the Fmaj chord near the end of the chorus, which happens before the change to Dmaj. Again, not sure how three tabs made the same exact mistake. 3. I've added F# root to the G chord in the verse because it's very easy to play and helps guide the song along. It sounds weird without it. The original key of this song is halfway between F and F#. I've tabbed it in G simply because this is by far the simplest way to play the song. You'd have to tune your guitar down 3/4 of a step to match the recording with this tab (which is what the band probably did). Want the song in F or F#? Use the transpose tool. [Toy piano intro] G C G C [Verse 1] G C G C Sunday mornin' brings the dawn in G G/F# Em A7 D It's just a restless feelin' by my side G C G C Early dawnin', Sunday mornin' G G/F# Em A7 D It's just the wasted years so close behind [Chorus] G C Watch out, the world's behind you G C There's always someone around you Am F D Who will call, it's nothing at all [Verse 2] G C G C Sunday mornin', and I'm fallin' G G/F# Em A7 D I've got a feelin' I don't want to know G C G C Early dawnin', Sunday mornin' G G/F# Em A7 D It's all the streets you crossed not so long ago [Chorus] G C Watch out, the world's behind you G C There's always someone around you Am F D Who will call, it's nothing at all [Instrumental] G C G C G G/F# Em A7 D G C Watch out, the world's behind you G C There's always someone around you Am F D Who will call, it's nothing at all [Outro] G C Sunday mornin' G C Sunday mornin' G C Sunday mornin' G C Sunday mornin'